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Cult Culture: Code V PDF Print E-mail
Written by Nacho   
Ultraviolet.  In 1998, this British series carefully carved out a toehold in cult TV, but failed to gather enough fans to justify a second run.  Since then, the creepy and off beat tale of a religiously-funded, above the law, Vampire extermination squad has gathered enough new fans to justify the 2005 Milla Jovavich vehicle of the same name.  Since the upcoming Hollywood version of Ultraviolet is nothing like the original, I feel it's my duty to bring to light the obscure series that will be left by the wayside in favor of a dizzy two-hour uber-Buffy fest starring everyone's favorite scantily clad, well-armed waif.

Ultraviolet opens with down on his luck cop Michael Colefield, played by Michael Davenport who went on from vampire hunter to take the lead in Coupling and land on the map as the snooty Brit in Pirates of the Caribbean.  His quest to solve the mystery of his partner's disappearance gets him drummed off the force and lands him in "Section T," a branch of the government that answers to no Earthly law.  Headed by the dour Father Pearse Hobson, played by the excellent Philip Quast (who had about two minutes of purest comedy on Police Squad! back in 1984) and staffed by an elite team of gun toting maniacs, Section T exists for one purpose:  To hunt down and destroy a sub-culture of vampires.  It's all out war between the church and this community of bloodsuckers.  Davenport is the cop with a conscious, Quast the driven holy man who has that defrocked from the church sort of feeling about him, Susannah Harker is the strait-laced doctor and Idris Elba (from TV's The Wire) is the hard-nosed ex special forces guy and token black man.  

The vampires, meanwhile, aren't your usual cup of blood.

Of the vampire genre, there are very few movies or shows that treat them a little bit differently...a little bit more Human.  There is only one that successfully avoids calling them vampires at all - Whitley Strieber's The Hunger, which has gone from novel to movie to TV show over the last couple of decades.  In The Hunger, the term "vampire" never came up in conversation or description, and the nature of the "vampires" was so far from the stereotype it was refreshing and powerful and is a must read/watch no matter how bad the writing is.  Ultraviolet avoids the term, as well, though it seems a bit more forced.  Ultraviolet's vampires are a bit more traditional in that they bite your neck and can't take a stake through the heart (though Section T uses carbon bullets from fancy guns).  InThe Hunger, you could just call them serial killers who live for quite a while.  In Ultraviolet, they're immortal bloodsuckers who burst into flame when the sun hits them.  So trying not to say the dreaded V-word for six episodes sort of hangs in the air.  

The upcoming movie goes ahead and gets it over with - "a story about vampires in the near future."  In the show, they're "leeches" or "Class Fives."  Five as in the roman numeral - "V."  Ho-ho.  Amazing what you can do with that script when you spend all night in the pub.

What sets the Ultraviolet vamps apart from the stereotype is that they have a mission.  It's nothing magical.  No special amulets or long lost master vampires.  Their quest is to exterminate Humanity and create a world of eternal darkness thanks to greenhouse gasses and nuclear winter.  In preparation for this, they are researching a way to make artificial blood (this idea, by the way, is stolen from Matheson's "I Am Legend.").   To do this, they have set out to gather the world's leading scientists into their fold, "just like the American's did with the Manhattan Project."

These are the dark servants of evil, but they have a very modern mission, a very human approach to it and a cunning way of working into our heroes heads.  To work for Section T is to lose your life, eventually.  Your loved ones are targets, your friends, everyone.  You must cut yourself off from the world and devote yourself to the fanatical war against inhuman monsters who...when you get down to it, aren't all that inhuman after all.  Ultraviolet is a terrorism parable, but it's not really in your face, so don't worry about it.

Unlike many of these one-hit-wonder Brit shows, it's a little unstable in the six episode run.  I've maintained that the abbreviated series style that the Brits have done is what makes their great hits great.  Take our favorite darling, The Office.  Now, if that were a 22 episode series, you'd want to shit in the lungs of the writers.  But as a quick snap, that brief 12 episode run, it's brilliant.  That's a dying custom over on that funny little island, because they need to have normal-length series to sell to American TV.  

In the case of Ultraviolet, I'll go back on my theory:  It's dying to be a regular series.  The problems are clear.  These four, complicated characters, this war between a supernatural race of immortals and a troubled little outfit of Crusaders, Michael Davenport's past life, past loves, and internal struggle with his new position: A lawman in a lawless world.  It desperately needed more time.  You barely get settled with the characters before the series is finished...and dead.  Never to return.

All of those wonderful little unexplored touches are long gone as far as the movie is concerned.  Here's the new plot:  It's the late 21st century.  Genetically modified humans have "vampire-like" traits giving them super human abilities.  A civil war breaks out between normals and mutants.  In the middle is an "infected" woman - Milla Jovavich.  Her name is Violet and she must protect a young boy who has been marked for death by the US government.  

Hey, stop me when it sounds really horrible, okay?

I don't know when the film is due.  It says "in 2005."  But, before it's all the rage, get the series into you.  It's six hours on DVD.  It's out there, but it's tough to find.  Netflix has chosen not to carry it as part of their ongoing vampire bias (hey, where's Forever Knight?) and I've yet to see it for rent.

I have it, of course, and three blank CDR's along with a postage paid return envelope will get it to your doorstep.  PM me on that one.  Or, if you really want to be proactive, and you're a Netflix addict, nag the fuck out of them.  Go here:  http://www.netflix.com/ContactUs and select "Title Request."  Tell them to get Ultraviolet and the Forever Knight discs.  If you do it once a week, they'll lose their minds and add them to the catalog.  

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